【Art Basel图集】大型装置玩云海 村上隆与空山基金色闪耀全场

撰文: 王海燕
出版:更新:

一年一度的Art Basel Hong Kong将于明日(3月29日)正式开放,今年展馆所云集的顶尖艺廊总共多达242间,分别来自35个国家及地区。然而当中展品除了有最为人所熟悉的村上隆经典太阳花、席勒的裸体男女,以及奈良美智的可爱小女孩,馆内过千件艺术品,还有哪些是不能错过的?

(1) 装置艺术:早于1970年代,装置艺术已成一种西方重要的当代艺术类型,发展至今,已有不少艺术家也喜爱用这种媒介去表达创作意念,就如展馆内可见的大型作品。Mit Jai Inn 弥载映,《Planes(Electric)》(平面(热烈)),2019。(摄:郑子峰)
Mit Jai Inn 弥载映,《Planes(Electric)》(平面(热烈)),2019。(摄:郑子峰)
Simon Starling,《Zum Brunnen》。(Art Basel)
Sun Yuan & Peng Yu 孙原与彭禹 ,《I Didn’t Notice What I Am Doing 》(我没有注意到我在做甚么),2012。(摄:郑子峰)
Chiharu Shiota 盐田千春,《Where Are We Going?》(我们要去哪里?),2017-2018。(摄:郑子峰)
Joël Andrianomearisoa,《The Cartographies of Desire, the space between us》(欲望制图法,我们之间的距离),2019。(摄:郑子峰)
Joël Andrianomearisoa,《The Cartographies of Desire, the space between us》(欲望制图法,我们之间的距离),2019。(摄:artbasel)
Olafur Eliasson,《Light matter collection》,2019。(摄:郑子峰)
Olafur Eliasson,《Light matter collection》,2019。(摄:郑子峰)
尹锡男,《Kim Manduk’s Heart is the Tears and the Love》,2015。(摄:郑子峰)
Matthew Barney,《Water Cast》,2015。(摄:郑子峰)
Latifa Echakhch 拉蒂法.艾霞克茜,《La dépossession》(剥夺),2014。(摄:artbasel)
Jose Dávila,《Homage to The Square》,2015。(摄:artbasel)
Jim Dine,《Man Wears All Black》,2013。(摄:郑子峰)
Chen Zhen,《Silence sonore》,2000。(摄:郑子峰)
Tomás Saraceno,《NLTT 5306 b/M+M》,2019。(摄:郑子峰)
Conrad Shawcross,《Manifold Study》,2019。(摄:郑子峰)
Alicja Kwade,《9 Seconds》,2018。(摄:郑子峰)
Ritsue MISHIMA,《GOCCE COSMICHE》,2018。(摄:郑子峰)
(2)用金色为创作主调:展馆当中有不少作品也以金色调子呈现。Takashi Murakami 村上隆,《Untitled》,2018。(摄:郑子峰)
空山基Hajime Sorayama,左:《Sexy Robot_Walking_Bronze》,2019。/右:《Untitled》,2019。(摄:郑子峰)
Juri Markkula,《Fort Knox II》,2019。(摄:郑子峰)
Eko Nugroho,《It's All About Coalition》,2008。(摄:郑子峰)
Rirkrit Tiravanija,《Untitled》,2019。(摄:郑子峰)
Lynda Benglis,《Fancy Work》,1979。(摄:郑子峰)
eonor Antunes,《Anni #21》,2019。(摄:郑子峰)
(3) 青铜、木材、石头:青铜、木材,以及石头而制成的作品,在展馆内亦屡见不鲜。Anna Hulačová,《Untitled》,2019。(摄:郑子峰)
Ugo Rondinone,《blue red yellow mountain》,2019。(摄:郑子峰)
Siah Armajani,《Dictionary for Building Fireplace Mantel with Window》,1982 - 1983。(摄:artbasel)
Joel Shapiro,《Untitled》,2016。(摄:artbasel)
Anna Hulačová,《Untitled》,2019。(摄:artbasel)
Alicja Kwade,《Matter-Ather(5) 》(物质一醚(五)),2019。作品除了应用上石头之余,还利用了亚加力台座、金属及木堆砌而成。(摄:郑子峰)
Jan Albers,《bOwdOwndOwntOwn》,2019。(摄:artbasel)
Tony Cragg,《Mean Average》,2014。(摄:artbasel)
Anna Hulačová,《Untitled》,2018-2019。(摄:郑子峰)
(4)时装:Art Basel也不缺以时装为主题的艺廊,其中一间来自于纽约的艺术馆Gmurzynska,为了悼念刚离我们而去的Karl Lagerfeld,特地呈上老佛爷的摄影作品。Karl Lagerfeld,《Homage to Yves Klein》,2001。(摄:郑子峰)
Karl Lagerfeld,《Homage to Yves Klein》,2001。(摄:郑子峰)
Jai Leimer,《Punk Ostentazione》,2019。(摄:郑子峰)
Jai Leimer,《Punk Ostentazione》,2019。(摄:郑子峰)
ean Pigozzi,《Valentino, Audrey Hepburn, Basel》,2019。(摄:郑子峰)
Jeff Koons,《Birkin Bag Black(Shelf)》,2014。(摄:郑子峰)
Hassan Hajjaj,《Camo Style》,2000。(摄:郑子峰)
Dior,《接受崇拜》,2019。(摄:郑子峰)
(5)纺织品:内里作品可见艺术家如何高技法地运用颜料之余,也不无各种布料以及纺织品的应用。Catalina Swinburn,《Das Lied von der Erde (The Song of the Earth) by Gustav Mahler》,2018 - 2019。(摄:artbasel)
Fatma Bucak,《De Silencio》,2015。(摄:郑子峰)
Leda Catunda,《Linguas Douradas》,2018。(摄:郑子峰)
Monica Bonvicini,《BeltDecke #4》,2017。(摄:郑子峰)
Tom Burr,《Untitled(White Shirt)》,2014。(摄:郑子峰)
Norberto Roldan,《Incantations in the land of virgins, monsters, sorcerers and angry gods (recent edition 3)》,1999 - 2018。(摄:artbasel)
(6)色彩:以下作品所运用的色彩大胆鲜明过人,在展馆中非常吸睛。Liu Xiaodong,《Memory Tree 1》,2014。(摄:artbasel)
Mary Heilmann,《Three Yellows》,2002。(摄:artbasel)
Mit Jai Inn,《Planes (Erupt) detail》,2018。(摄:artbasel)
Yao Peng,《Talent》,2018。(摄:郑子峰)
Friedrich Kunath,《I’ll Leave The Light On》,2018。(摄:郑子峰)
金玄植,《Who Likes Green?》《Who Likes Orange?》《Who Likes Gray?》《Who Likes Yellow?》《Who Likes Red?》《Who Likes Violet?》《Who Likes Blue?》《Who Likes Magenta?》《Who Likes Blue?》,2019。(摄:郑子峰)
Richard Hawkins,《Proctomancy》,2018。(摄:artbasel)
【Art Basel Hong Kong 2019】公众开放日
:3月29日(星期五)1pm至8pm/ 
 3月30日(星期六)1pm至8pm/ 
 3月31日(星期日)11am至6时pm 地点:香港会议展览中心